25 April 2011
Ransom (Pacheko Remix)
Ransom (Filastine Remix)
Ransom (Teleseen Remix)
Ransom (Fletcher Remix)
Ransom (Timeblind Remix)
“Loving the release, played Timeblind Mix on the radio” Sinden (Grizzly/Kiss)
“Seriously AMAZING release” Kid Kameleon
“Playlisted on my BBC Asian Network show” Bobby Friction (BBC)
DJ Support: Sinden, Rob Smith (RSD), Distal, Kid Kameleon, Bun Zero, Masala Blog
Radio: Sinden (Kiss FM) Bobby Friction (BBC), James Barrie (BBE), Simon Harrison (Basic Soul)
We’re welcoming in the 5th birthday year (see below) for Senseless with an incredible release that mixes cutting edge bass music with traditional Ethiopian instruments and folklore. Combined with the artwork, a ‘making of’ video and backed by a truly international set of remixes, it is a project that has been a year in the making. The man responsible is international bass nomad Maga Bo, a producer and DJ who literally embodies the global spirit of Senseless as a label. You might know him from an extensive discography including is work with the Dutty Artz collective in NYC (DJ Rupture/Matt Shadetek/Uproot Andy etc), or on labels like Shockout, Tru Thoughts, African Dope or Soot Records. For those unfamiliar with his work he lives in Rio de Janeiro, Brazil, a place where he draws plenty of inspiration from, musical and otherwise, as he explains,
“Brazil is a massive inspiration... I'm very interested in afro-brazilian rhythms, of which there are many. samba, coco, baião, sambareggae, jongo are all present in my new productions for example”.
There’s another level to his experience in Brazil too, one that informs his work on a deeper level:
“I'm a permanent resident in Brazil, but this has been a very difficult and stressful journey and has really opened my eyes to the experiences of immigrants around the world. I am a migrant musician, as most musicians are, historically, to some degree. Migration and immigration are powerful forces influencing and affecting culture and art. The music that I compose, produce, play and research is a product of migration - my own journeys and the journeys of others.”
That very much sums up Bo’s existence and why we’re so excited to be working with him: a relentless thirst for travel, discovery and collaboration driven by music. This EP came about from a trip to Ethiopia where he met Indriss Hassanwho plays the distinctive single-stringed masinqo on title track Ransom. The track was inspired by the infamous hyenas which are fed raw meat outside the gates of Harar, birthplace of Ras Tafari. As Bo explains,
“The way they way move is unlike any animal I've ever seen: very powerful. It was their particular way of moving - with caution, but also with desire (to feed) and power - that inspired this track.”
Ransom evolves out of a haze of field recordings driven forward by handclaps with the distinctive masinqo loop rising up out of the atmosphere before a deep sub bass rolls in to underpin it. It’s at once hypnotic and psychedelic, evoking the intensity and energy of a vibrant city like Addis Ababa after dark. The other original track, Gondar, is a traditional Azmari song from Ethiopia, rewired with a dancehall-like riddim and elastic synth bass and more masinqo, this time played by Eritbu “Solomon” Agegnehu.
The remixes come from a truly international line-up all hand picked by Maga Bo himself. First up with a dancehall/dubstep hybrid is the legendary Timeblind of NYC via Berlin, whose varied career has seen everything from techno releases on Hawtin’s Plus-8 to digital dancehall on Kid606’s Shockout. Teleseen (Percepts Recordings), another NYC native atomises the parts and reassembles them in a gloriously schizophrenic electro/acoustic showdown. South Africa’s Fletcher (African Dope) takes the track in a dub direction adding space and FX to the mix. Filastine (Soot/Jarring Effect/Uberlingua/PWI), from Barcelona, comes through with a time-bending groove and ratty, resonant subbass. Last up, Senseless family Pacheko from Venezuela offers up a dub orientated bass-weight monster aimed at deeper dancefloors, something a little different from his recent 4x4 work.
Finally, a special mention for the artwork, a collaboration between local photographer Michael Tsegaye and Venezuelan designer Mad Kick, part of the Abstractor collective with Pacheko. A video clip shot by Maga Bo during the recording of “Gondar” completes the picture.
2011 marks Senseless Records 5th birthday, starting in the summer we will be releasing five LTD vinyl releases with hand screen printed sleeves and A3 art print inserts featuring tracks from Poirier, Phantom, JTRP, DJ Eastwood, Sterotyp, Oris J and many more. More details to coming soon.
CAT NO:SENSELESS DD004
ONE LINE:Africa bass soundclash
7 January 2011
its cold up here. and dark
- You are now entering the Republic of South Africa
From Jozi and Cape Town, South Africa 2010 Lloyd is from Zimbabwe and lives and works in George, SA. Every 3 months he goes home. His wife works in the ...
- django debugging : forcing files to recompile
I tried django a few years ago when they just started and quite liked it. But I couldn't find the time or the reason to port my code (PHP) into ...
- Dubai - live a thousand lives by picture
Everything you need to know about Dubai - the Las Vegas of the Middle East—as told by the foreigners who go there to work. The director, Omair (from London) really ...
The train to Delhi was quite fun. Lots of conversations. 3 Nigerians looking for investors. An ex-pat German who runs a ayurvedic/western hospital in under-developed Bihar. Two medical equipment engineers ...
- pirates need to keep it on the D/L
Soundcloud started issuing takedown notices to people posting unauthoried remixes and mixtapes.A few thoughts in response to the Ripley's post:http://djripley.blogspot.com/2010/12/walling-off-another-garden-is.htmlhave you all chosen and publicly displayed a CC license ? ...