Space is the Place

4 October 2007

In music production building a mix is like building a fire. You need space between the logs for the air to get in; the sound elements need to have space or it doesn't appear that they are moving at all. If everything is compressed and smushed then it becomes a single sheet of texture and everything sounds small. The way to get big sounds is to give them enough space to appear as big (another trick: put a very small sound next to it to show how big the big object is. The space in my track Ontological Ground of Being is achieved by using very small sounds to define the more distant horizon. Its because I believe that the space is that big and when I put in the little sounds it indicates that for you).

Another reason why I like Berlin : space. To think, to exist, to examine my self and my thoughts.

White space is important in design and in interfaces. It lets the viewer clearly perceive without having to do the work of separating smeared together elements. Visual clutter occupies part of the mind that should be free to consider more important things in life.

New York is cluttery.

The listener can only have emotions if you give him/her enough space to have them in. If you have filled every nook and cranny then there is nowhere for the listener's feeling to dwell. Feelings do dwell: they are like perfume floating off of the sound objects. They exist in the space left just after a Loud Thing happened, they happen when your attention is drawn to the trail of spacial effects that the percussion leaves.

"Its the space between the notes" - Miles Davis

You can tell a lot about the musician by listening to their attitude towards space, to the void, to the undefined Out There, to the Other. Its how the high hat or snare leaves off, what its attitude towards the non-sound is. Did the musician fling it up joyously like the universe of space is a world of golden dub ? Is the universe of space dangerous and needs to be kept at bay, observed cooly through your sunglasses as you ride your hummer through the ghetto; clipped snare, just enough to show the threat and muscle. Are you so excited about the track that you just let that sound go in a careless frenzy so you can go back down below to find more exciting sounds to show us ?

I'm not talking about reverb here. I love how even with just a 909 kick and high hat and the mixing board you can get things as different as Chicago ghetto trax, UK Garage, Angolan Kuduro, house, techno or mnml.

As any Buddhist will tell you, Space is the Place. Form is Emptiness; Emptiness is Form. Shunyata is the original word for Emptiness, and its better translated as Space in the sense of a screen or a stage : a space where something can happen.

These Things in life (material objects, obsessions, projects, things to do) are just there to give form to the Space. Without Things, we wouldn't be able to notice the Space. The heart dwells in the space, not in the things. Don't get too caught up in Things; but Things, when properly laid out are how you summon the Heart and allow it to exist. The Mind is not in space-time at all, but it is revealed here.


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Solar Life Raft Ingredients

Timeblind
Format: Digital
Release date: 4th January 2010
Available at
  • coltan and cassiterite Timeblind

The unmixed ingredients from Rupture and Shadetek’s Solar Life Raft. Including two tracks by me: Coltan and Cassiterite and Space Cadet (which came out on last year’s 12” on Version)

I’ve been waiting/yearning for Coltan and Cassiterite to come out for much of last year. I was about to release it myself just to relieve my own tension waiting for it. Anyway, its on a good home: The Agriculture and the reviews have been great so far.

The title refers to two of the minerals that are mined in the Democratic Republic of Congo and are components in portable electronics like cel phones. Its one of the unfortunate driving forces behind continuing warfare among the militias in the Rwanda/DRC border area.

Avail at boomkat: http://➯.ws/⚥ SLR in 320kMP3 and Flac